Skip to main content

Summer School: A Risky First Week

I'm teaching summer school for the first time of my teaching career, and it's been quite an experience during the first week. With a mixture of students from the three high schools within my district, classroom dynamics are interesting. It's also an opportunity to hear from students about how a variety of teaching experiences for them or haven't quite.

We're starting class every day with a writing prompt. I began the first day with a deep one, knowing that I might make students feel uncomfortable but recognizing that it was important to establish and develop a common understanding. I asked kids to write about why they are here. (On a side note, I love that a student was quick to ask why I was there! I shared with them the research questions I needed help answering this summer [I plan to post about these later], and I received really positive responses.)

I am so impressed with the risks that students have taken during the first week. 

After the very first writing prompt, a student shared that she had "messed up," "gotten distracted," "focused too much on friends." I knew that this would set the tone for a successful six weeks together. If there's one thing that I've learned from Reading Apprenticeship training, it's that the social dimension of the classroom is so important. Students need to be willing to take risks, and she did just that.

I love that summer school is turning into a place where I can also take risks. One of my goals for the upcoming school year is to turn over the document camera to students more often. I had three students volunteer to share drafts of their personal literacy narratives. As one student was sharing, he noticed that he missed a few words every now and then. I reminded him that I, as a writer, can't move my pencil sometimes to keep up with my thinking, and that it happens to all of us. And he continued. He talked about how he didn't think that reading and writing were for him, how his experiences hadn't really been positive in school, "which is why [he's] in summer school."

When he was done sharing, I had to point out the positives of this student's work. He didn't realize the voice that flowed through his paper. As a reader, I felt like I could actually hear his story flowing from the page. I had taken notes on the board and pointed out to students this student's use of "Man..." and "Lord knows." This was good rough draft writing and it stressed the importance of not only celebrating our works-in-progress but also how taking risks can make things we didn't see before visible.

Because of all this, I'm looking forward to the next five weeks and seeing these writers, readers, thinkers, and speakers grow.

Comments

Popular posts from this blog

Handwritten Cue Cards in the 21st Century

I just stumbled upon this behind-the-scenes clip of Saturday Night Live's cue card process. This is intense writing. This is writing that is dependent upon trust and checks and balances. Over a short period of time, skits are written, drafted on cards, revised, and the cards revised over and over again. I also really love that SNL continues to use cue cards and not a teleprompter. Like Wally points out, technology can fail. Handwritten cue cards ensure the show goes on. Comedy is hard work. Writing is hard work. Changes are made up until the last minute to get things just right. This is a form of real-world writing.

Six Things to Keep in Mind When Your Class is NaNo-ing

Students recently drafted their reflections about National Novel Writing Month (NaNoWriMo), so I wrote beside them about the lessons that I had learned. Here they are: Limit the other work you give . While you may feel the pressure to have copious assignments in your grade book (there tends to be a sort of teacher shaming if you don't have many assignments in, as if there is a magical number), you have to recognize what is valuable and what is not, especially during the 30-day writing frenzy that NaNoWriMo is. I tried to make every assignment relevant for the month and their novels. Students encountered "daily challenges" (these quickly turned into every-other-day challenges) that focused on many of the necessary elements to good novels: dialogue, story world development, character creation, subplots, etc. Everything was designed so that students could use their work in their novels, and it allowed me to have short glimpses of the types of things they were writing abo

What's your "gap plan"?

Brene Brown introduces the "family gap plan" in the fourth episode of her podcast, Unlocking Us . This came about when she and her husband would argue when she would return home from traveling. It seemed like the minute she walked in, her husband would expect her to be ready for him to "tap out," where she could take over where he had been supporting the family. While she was away from home, this didn't mean that she was full of energy and at 100% the minute she walked in the door. She had been working too and was exhausted. So, over time they began to name where they were at as people and as a family: I'm at 10%. I'm at 30%. They knew they needed a plan for when collectively she and her husband were not at 100%, but they needed to be for their family. Beyond our personal lives, the idea of a "gap plan" got me thinking about our classrooms and schools. What happens when we are not at 100% or we know that our classrooms or students are not