Skip to main content

Filling the Hole in Our Heart

I am taking advantage of this time at home to clean my garage and revisit the notebooks that I have kept for years as a teacher. I stumbled upon this piece from a notebook I kept in 2013, the first summer I spent with the Eastern Michigan Writing Project.
---

For the past four weeks, I have had the opportunity to vent, share, and collaborate with a group of like-minded people. We all had different reasons for getting together and different outcomes, but for me, a sense of community really developed.

It isn't often that I feel as if I have a group of people who "get me." But now I know that I do. Maintaining this network of friends is so important to me. It really helped me feel safe in this time of educational insanity.

And it has also brought about a renewed sense of purpose. I often tell my students not to put themselves in situations where they give away their power and let others make decisions for them. And while education is under siege, I want to fight against that--and reclaim my power. I want to "stand my ground" against the corporatization and utter ridiculousness that we are allowing to happen. Who better to share our stories and voices? We must stop others from controlling our narrative.

Comments

Popular posts from this blog

Handwritten Cue Cards in the 21st Century

I just stumbled upon this behind-the-scenes clip of Saturday Night Live's cue card process. This is intense writing. This is writing that is dependent upon trust and checks and balances. Over a short period of time, skits are written, drafted on cards, revised, and the cards revised over and over again. I also really love that SNL continues to use cue cards and not a teleprompter. Like Wally points out, technology can fail. Handwritten cue cards ensure the show goes on. Comedy is hard work. Writing is hard work. Changes are made up until the last minute to get things just right. This is a form of real-world writing.

Six Things to Keep in Mind When Your Class is NaNo-ing

Students recently drafted their reflections about National Novel Writing Month (NaNoWriMo), so I wrote beside them about the lessons that I had learned. Here they are: Limit the other work you give . While you may feel the pressure to have copious assignments in your grade book (there tends to be a sort of teacher shaming if you don't have many assignments in, as if there is a magical number), you have to recognize what is valuable and what is not, especially during the 30-day writing frenzy that NaNoWriMo is. I tried to make every assignment relevant for the month and their novels. Students encountered "daily challenges" (these quickly turned into every-other-day challenges) that focused on many of the necessary elements to good novels: dialogue, story world development, character creation, subplots, etc. Everything was designed so that students could use their work in their novels, and it allowed me to have short glimpses of the types of things they were writing abo

What's your "gap plan"?

Brene Brown introduces the "family gap plan" in the fourth episode of her podcast, Unlocking Us . This came about when she and her husband would argue when she would return home from traveling. It seemed like the minute she walked in, her husband would expect her to be ready for him to "tap out," where she could take over where he had been supporting the family. While she was away from home, this didn't mean that she was full of energy and at 100% the minute she walked in the door. She had been working too and was exhausted. So, over time they began to name where they were at as people and as a family: I'm at 10%. I'm at 30%. They knew they needed a plan for when collectively she and her husband were not at 100%, but they needed to be for their family. Beyond our personal lives, the idea of a "gap plan" got me thinking about our classrooms and schools. What happens when we are not at 100% or we know that our classrooms or students are not